School Kills : Joss Whedon – “Astonishing X-Men” (1-24)

It was severe withdrawal that made Joss Whedon’s “Astonishing X-Men” so welcome in 2004. “Buffy” had ended, “Angel” had ended, “Firefly” had been quashed. Where were the wanderers of the Whedonverse supposed to go? Why, to Xavier’s School for Gifted Children in Westchester County, New York. (School Motto: “Mutatis Mutandis.”)

ABOVE: Beast: “What’s gonna happen to the X-Men??” Cyclops: “That colorist should be fired. It’s all in red! Oh, wait.” Wolverine: “My claws are way bigger than that!” Emma Frost: “I don’t ‘read’ comics. I ‘think’ comics.” Colossus: “In Communist Russia, comics read YOU.” Kitty: “One could phase right through the plot-holes in that issue!”

Those first 24 issues of “Astonishing X-Men” are tightly packed with Whedonisms. (Ha! He said “tightly”! Cuz…. superheroes? Tights?). Pop put-downs abound (Colossus: “Who’s Paris Hilton?” Cyclops: “It doesn’t matter. On so many levels.”)  There’s new characters, most notably Hisako and Blindfold, a “seer” who babbles prophecy in mad cadences that tie her genetically to Drusilla or River Tam. There’s  impalings. (Not counting every vampire in “Buffy” and “Angel”, does Joss have an undiagnosed impaling fetish? Think Cordelia in S. 3, ep. 8.) Formula is subverted, and every third turn of the page is intended to provoke a “WHOA did NOT see THAT coming!” It almost always works.

Whereas the Buffy comics have been marred by off-putting artwork, John Cassaday ( who worked with Warren Ellis in “Planetary”) is a master, particularly in the earlier story arcs. Sloppiness and exhaustion do creep in once the series takes off for outer space. It’s on school grounds that Whedon is most comfortable. “High School is Hell” and Hell, (ask Dante) is more fun exploring than the heavens.  The X-Men have always been nominally school-based, and Danger Room lessons have been the start of many a story-line, but when Whedon takes over, Xavier’s gets to be magical, (Kitty’s entrance: “Did I miss the sorting hat?”) It’s also pretty intense: it turns out high school is LITERALLY out to kill you. Even in Whedon’s uncredited script for “Speed,” life is a series of sudden, deadly scholastic exams. The villain’s catch-phrase there: “Pop quiz, hotshot!”

Some traumas we don’t outgrow.



8 thoughts on “School Kills : Joss Whedon – “Astonishing X-Men” (1-24)

  1. Pingback: Not Easy Being Green : Dave Gibbons, Peter Tomasi – “Green Lantern Corps” | THE PAGEAHOLIC

  2. Pingback: At the Bone: Ales Kot – “Zero” (1-6) | THE PAGEAHOLIC

  3. Pingback: Signifying Nothing: William Shakespeare (and Joss Whedon) – “Much Ado About Nothing” | THE PAGEAHOLIC

  4. Pingback: Candy Crush Saga : Joss Whedon – “Sugarshock” | THE PAGEAHOLIC

  5. Pingback: Ellis-ium : Warren Ellis – “Astonishing X-Men” (25-30) | THE PAGEAHOLIC

  6. Pingback: It’s a Strange World, Let’s Keep it That Way : Warren Ellis, John Cassaday – “Planetary” | THE PAGEAHOLIC

  7. Pingback: Youth is Brief and so is this Post : Marc Guggenheim – “Young X-Men” | THE PAGEAHOLIC

Say What You Need To Say

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s